{"id":233,"date":"2016-07-27T15:03:53","date_gmt":"2016-07-27T13:03:53","guid":{"rendered":"http:\/\/www.mosaico-didiana.it\/francais\/?page_id=233"},"modified":"2016-08-30T17:17:54","modified_gmt":"2016-08-30T15:17:54","slug":"clients","status":"publish","type":"page","link":"https:\/\/www.mosaico-didiana.it\/francais\/clients\/","title":{"rendered":"Clients"},"content":{"rendered":"[spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;border-top: 0px undefined ;border-left: 0px undefined ;border-right: 0px undefined ;border-bottom: 0px undefined ;padding-top: 0px;padding-left: 0px;padding-right: 0px;padding-bottom: 0px;” border_size=”0″ border_styling_global=”default” width=”1\/1″ el_position=”first last”]\n

Ce d\u00e9sir d\u2019inscrire la mosa\u00efque dans un d\u00e9cor quotidien me permit de rencontrer et de travailler pour les plus grands d\u00e9corateurs du moment. Je r\u00e9alisai de pr\u00e9cieuses lampes de Murano, une mosa\u00efque pour le Bureau Pr\u00e9sidentiel du Sultan de Brunei<\/span><\/strong>(1)<\/span> ainsi que plusieurs r\u00e9alisations pour la d\u00e9coration de l\u2019appartement du metteur en sc\u00e8ne Francesco Rosi<\/span><\/strong>.
\nA partir de reproductions des mosa\u00efques de Klimt j\u2019ex\u00e9cutai la d\u00e9coration d\u2019un ch\u00e2teau de la Toscane.<\/p>\n

Anim\u00e9e du d\u00e9sir de faire conna\u00eetre cet art en France, j\u2019ai contact\u00e9 les grands d\u00e9corateurs parisiens : Pierre-Herv\u00e9 Walbaum, Alberto Pinto, David Hicks, Henri Garelli, Jacques Grange, Didier Aron… Certains d\u2019entre eux me pass\u00e8rent commandes pour la d\u00e9coration d\u2019int\u00e9rieurs de leurs clients, entre autre Luigi Comencini<\/span><\/strong>, la famille Dassault<\/span><\/strong>, Georges Rech<\/span><\/strong> et Jean-Claude Jitrois<\/span> pour le sol(2)<\/span> de sa boutique rue du Fg Saint Honor\u00e9.<\/p>\n

 <\/p>\n[\/spb_text_block] [spb_text_block title=”Table d\u2019inspiration orientale (1)” animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;border-top: 0px undefined ;border-left: 0px undefined ;border-right: 0px undefined ;border-bottom: 0px undefined ;padding-top: 0px;padding-left: 0px;padding-right: 0px;padding-bottom: 0px;” border_size=”0″ border_styling_global=”default” width=”1\/2″ el_position=”first”]\n

\"brunei\"<\/p>\n

Mosa\u00efque d\u2019inspiration orientale (40 cm de largeur) encastr\u00e9e dans une grande table ronde\u00a0en marbre blanc \u201csivec\u201d d\u2019un diam\u00e8tre de 6 m.
\nUne frise de 6 cm de hauteur ornait le rebord de la table, en reprenant le th\u00e8me du motif principal.<\/p>\n[\/spb_text_block] [spb_text_block title=”Jupiter (2)” animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;border-top: 0px undefined ;border-left: 0px undefined ;border-right: 0px undefined ;border-bottom: 0px undefined ;padding-top: 0px;padding-left: 0px;padding-right: 0px;padding-bottom: 0px;” border_size=”0″ border_styling_global=”default” width=”1\/2″ el_position=”last”]\n

<\/p>\n

Mosa\u00efque repr\u00e9sentant la t\u00eate de Jupiter, une grande corne d\u2019abondance et plusieurs\u00a0fragments de fruits et de fleurs.\u00a0La surface r\u00e9elle de cette composition \u00e9tait de 3 m2, \u00e9parpill\u00e9s sur une surface d\u2019environ 10 m2.\u00a0Pour cette r\u00e9alisation, j\u2019ai utilis\u00e9 plusieurs tons de p\u00e2te de verre et en feuilles d\u2019or fin,\u00a0associ\u00e9s \u00e0 du marbre.<\/p>\n[\/spb_text_block] [spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;border-top: 0px undefined ;border-left: 0px undefined ;border-right: 0px undefined ;border-bottom: 0px undefined ;padding-top: 0px;padding-left: 0px;padding-right: 0px;padding-bottom: 0px;” border_size=”0″ border_styling_global=”default” width=”1\/1″ el_position=”first last”]\n

Sc\u00e8nes de la navigation de l\u2019Egypte antique<\/h1>\n

En 1989 le d\u00e9corateur de r\u00e9putation internationale Luigi Sturchio me charge\u00e2t de l\u2019ex\u00e9cution de deux panneaux en mosa\u00efque(3) command\u00e9s par Monsieur Rafiq Hariri, \u00e0 l\u2019\u00e9poque Premier Ministre du Liban.Ces panneaux repr\u00e9sentaient deux sc\u00e8nes de la navigation de l\u2019Egypte antique.\u00a0Le d\u00e9cor du premier panneau \u00e9tait tir\u00e9 d\u2019une photo du National Geographic et, pour le second,\u00a0j\u2019ai du concevoir et dessiner une sc\u00e8ne en ad\u00e9quation avec le premier.<\/p>\n

La surface totale\u00a0de ces deux panneaux \u00e9tait de 14 m2.
\nQualit\u00e9 des couleurs des photos mauvaise par d\u00e9faut d’\u00e9clairage sur place.<\/p>\n[\/spb_text_block] [spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;border-top: 0px undefined ;border-left: 0px undefined ;border-right: 0px undefined ;border-bottom: 0px undefined ;padding-top: 0px;padding-left: 0px;padding-right: 0px;padding-bottom: 0px;” border_size=”0″ border_styling_global=”default” width=”1\/2″ el_position=”first”]\n

\"rafiq<\/p>\n[\/spb_text_block] [spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;border-top: 0px undefined ;border-left: 0px undefined ;border-right: 0px undefined ;border-bottom: 0px undefined ;padding-top: 0px;padding-left: 0px;padding-right: 0px;padding-bottom: 0px;” border_size=”0″ border_styling_global=”default” width=”1\/2″ el_position=”last”]\n

\"rafiq<\/p>\n[\/spb_text_block] [spb_text_block title=”D\u00e9tails sur papier” animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;border-top: 0px default ;border-left: 0px default ;border-right: 0px default ;border-bottom: 0px default ;padding-top: 0px;padding-left: 0px;padding-right: 0px;padding-bottom: 0px;” border_size=”0″ border_styling_global=”default” width=”1\/3″ el_position=”first”]\n

<\/p>\n[\/spb_text_block] [spb_text_block title=”D\u00e9tails sur papier” animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;border-top: 0px default ;border-left: 0px default ;border-right: 0px default ;border-bottom: 0px default ;padding-top: 0px;padding-left: 0px;padding-right: 0px;padding-bottom: 0px;” border_size=”0″ border_styling_global=”default” width=”1\/3″]\n

<\/p>\n

La mosa\u00efque selon la technique antique est compos\u00e9e \u00e0 l’envers<\/p>\n[\/spb_text_block] [spb_text_block title=”D\u00e9tails sur papier” animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;border-top: 0px default ;border-left: 0px default ;border-right: 0px default ;border-bottom: 0px default ;padding-top: 0px;padding-left: 0px;padding-right: 0px;padding-bottom: 0px;” border_size=”0″ border_styling_global=”default” width=”1\/3″ el_position=”last”]\n

<\/p>\n[\/spb_text_block]\n","protected":false},"excerpt":{"rendered":"

[spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;border-top: 0px undefined ;border-left: 0px undefined ;border-right: 0px undefined ;border-bottom: 0px undefined ;padding-top: 0px;padding-left: 0px;padding-right: 0px;padding-bottom: 0px;” border_size=”0″ border_styling_global=”default” width=”1\/1″ el_position=”first last”] Ce d\u00e9sir d\u2019inscrire la mosa\u00efque dans un d\u00e9cor quotidien me permit de rencontrer et de travailler pour les plus grands d\u00e9corateurs du moment. Je r\u00e9alisai de pr\u00e9cieuses lampes […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-233","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.mosaico-didiana.it\/francais\/wp-json\/wp\/v2\/pages\/233","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mosaico-didiana.it\/francais\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mosaico-didiana.it\/francais\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mosaico-didiana.it\/francais\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mosaico-didiana.it\/francais\/wp-json\/wp\/v2\/comments?post=233"}],"version-history":[{"count":16,"href":"https:\/\/www.mosaico-didiana.it\/francais\/wp-json\/wp\/v2\/pages\/233\/revisions"}],"predecessor-version":[{"id":584,"href":"https:\/\/www.mosaico-didiana.it\/francais\/wp-json\/wp\/v2\/pages\/233\/revisions\/584"}],"wp:attachment":[{"href":"https:\/\/www.mosaico-didiana.it\/francais\/wp-json\/wp\/v2\/media?parent=233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}